Auteurs : Collectif sous la direction de Poshek Fu et David Desser (2000).
Publié par Cambridge University Press, 2002 ISBN 0521776023, 9780521776028 346 pages Prix constaté : 26 € sur Amazon.fr
Cet ouvrage s'articule en 3 grandes parties de plusieurs chapitres chacun.
Sommaire :
Part I: History
1- The Kung-fu Craze: Hong Kong Cinema's First American Reception (David Desser)
2- The American Connection in Early Hong Kong Cinema (Law Kar)
3- The 1960s: Modernity, Youth Culture and Hong Kong Cantonese Cinema (Poshek Fu)
4- The 1970s: Movement and Transition (Stephen Teo)
Part II: Arts
5- Richness through Imperfection: King Hu and the Glimpse (David Bordwell)
6- Space, Place and Spectacle: The Crisis Cinema of John Woo (Tony Williams)
7- Beside Fists and Blood: Michael Hui and Cantonese Comedy (Jenny Kwok Wah Lau)
8- The Film Work of Ann Hui (Patricia Brett Erens)
Part III: Identity
9- Between Nationalism and Colonialism: Mainland Emigrés, Marginal Culture, and Hong Kong Cinema 1937-1941 (Poshek Fu)
10- Urban Cinema and the Cultural Identity of Hong Kong (Leung Ping Kwan)
11- Rewriting History: Hong Kong Nostalgia Cinema and Its Social Practice (Natalia Chan Sui Hung)
12- Filming Diaspora and Indentity: Hong Kong and 1997 (Sheldon Lu)
13- Buying American, Consuming Hong Kong: Cultural Commerce, Fantasies of Identity, and the Cinema (Gina Marchetti)
14- Hong Kong Electric Shadows: A Selected Bibliography of Studies in English (H.C Li)
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