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Interview Nicholas Chin on Magazine Gap Road
Exceptional cast and crew 1/1 - Page 2
Info
Author(s) : Mounir Zekhnini
Thomas Podvin
Date : 7/12/2008
Type(s) : Interview
 
 Intext Links  
People :
Peter Chan Ho Sun
Kui Wing
Ang Lee
Richard Ng Yiu Hon
Elvis Tsui Kam Kong
Wong Kar Wai
Wong Yat Ping
Zheng Shi Ming
Movies :
Viva Erotica
 
< Previous
Page 1 : Making Magazine Gap Road
 
Next >
Page 3 : An artistic flair


HKCinemagic: Why did you choose a mixed cast from China, HK and Taiwan?
Nicholas Chin: The film takes place on the Peak, a very different world within the city. It has this mixture of wealthy blue blooded Cantonese, ex-pats and Mainland families. If you spend time there you hear Cantonese, English and Mandarin all around you. The casting reflects this.

Elvis and the director
HKCinemagic: Does each of the actors from different places have a distinctive work method? Did it bring difficulties on set?
Nicholas Chin: I can say, actors from Beijing have a more theatrical background than the acting style of Hong Kong actors. I like the contrast a lot, and exploited it. When Zheng Shiming and Qu Ying (both from Beijing) are together in a scene, it naturally feels as in the script that they are not from Hong Kong and different from the other players. To hold these different styles together it does however need veteran actors like Richard Ng and Elvis Tsui who can bring fluidity and naturalism to the film as a whole.

Qu Ying
HKCinemagic: Indeed, you employ two seasoned HK actors in the film, Elvis Tsui and Richard Ng. One is famous for his category 3 films and another one is famous for his slapstick comedies. Why did you cast them?
Nicholas Chin: I grew up watching Elvis Tsui and loved Viva Erotica so when a chance came up to meet him, I grabbed it. For the character, it was important to have someone was appears immediately tough but can naturally reveal a softer side. He is like that in real life -- a real gentleman scholar and I am grateful to the producer Wong Yat Ping in convincing Elvis to come back to HK after so many years to act in the film.

Working with Richard Ng was a privilege and it was nerve-wracking at first. He was very generous with me as a first-time director and also his experience and advices as a director and producer were crucial. I learnt a lot watching him work, how he naturally brings warmth to a scene and timing. Often in the editing room, we simply followed his pacing, his dialogue rhythm and small gestures to cut the scene. While acting, he also gives directors natural editing points. We talked about them when shooting but only much later while editing did I fully realise how much help he was giving us.

To attract such talented actors offering them roles against their norms, Elvis as a worn-down hero and Richard in a very non-comedic role, makes it fun for them.


Richard Ng
HKCinemagic : You’ve got this wonderful cast but behind the camera you managed to gather an excellent crew also: producer Chiu Wah-lee, editor Wenders Li, music writer Chan Kwong-wing and cinematographer Chan Yuen-kai. The latter even came out of retirement. A question is burning my lip, how did you manage to pull it off?
Nicholas Chin: Bringing such a talented cast and crew to the film was only because of the producer Chiu Wah Lee. He has over 20 years experience in film working with the directors like Wong Kar-wai, Ang Lee, Peter Chan. I know with him as producer it assuaged for many of the experienced cast and crew any initial hesitations about working with a first-time director. While shooting he was the anchor for us all.
 
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Page 1 : Making Magazine Gap Road
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Page 3 : An artistic flair

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