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A Stuntman in Hong Kong : Bruce Law
Extreme Crisis 1/1 - Page 2
Info
Author(s) : Thomas Podvin
Date : 17/11/2003
Type(s) : Interview
 
 Intext Links  
People :
Julian Cheung Chi Lam
Shu Qi
Michelle Yeoh
Movies :
Extreme Crisis
Police Story 3 - Supercop
 
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Page 1 : Presentation of Bruce Law Stunt Limited
 
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HKCinemagic : In Extreme Crisis, you use very modern techniques and digital effects. There is this very impressive stunt in Central where an explosion sends in the air a few cars and makes them do a 360° spin. You did this stunt without any authorization, didn't you? Did you have problems with the police afterwards? Can you elaborate?
Bruce Law: Actually, Extreme Crisis didn’t use much modern technology or digital effects. I only used digital effects on the explosion outside of the building during the finale, a shot inside the canal and one or two shots of Julian Cheung Chi Lam inside the cage winch. Everything else was shot on actual locations.

The 360’ spin of the cars in Central is a stereotype. I had been planning and preparing, testing for ths stunt for more than half a year before I began shooting. The explosions and fire encircling the men were real, I didn’t use digital effects as I thought they would look rather fake.

I know that most of the companies in Hollywood will use digital effects to enhance a stunt, and I know how to make these effects too, but we just didn’t have the budget. Also, we believe that digital effects still lack the feeling of realism. If we can handle the "risks", we should make it real. Of course some scenes and effects can only be made in the digital world. If your budget isn’t capable of allowing the best level of special effects possible, leave them out or you will disappoint the audience and yourself.

HKCinemagic : Actress Shu Qi didn't have a driving license when you made Extreme Crisis and she is not a stuntwomen. How did you manage to make Shu Qi drive and perform a dangerous car stunt in the beginning of the movie?
Bruce Law: (Laughing) She can’t drive at all, let alone perform any kind of stunt driving! It’s just like Michelle Yeoh when we worked together on Police Story 3: Supercop, she had only learnt how to ride a motorcycle the day before we shot her big stunt. I broke down the shots so we could make her look comfortable riding the jump as well as performing the stunt. For her jump onto the train, I put her on a wire and she made it! Of course being able to spend one day teaching her to ride was a great help.

This is the art of making movies, it’s like magic! Presenting something impossible to the audience, the audience doesn’t pick up on your enhancement, they think it’s all-real and I win! They know I’ve enhanced the action wires or something and I lose.

I used a V-Bar dragging the car for the shooting of Extreme Crisis, I had designed the shots and the sequence thoroughly beforehand. I think it is our responsibility to make the audience believe that she can really drive, not just for her stunt, and with the right edits and shots you can make it look real.


Extreme Crisis
HKCinemagic : Extreme Crisis is the first movie you have directed. Why did you want to direct a movie? Was it hard to work as a director and as a stunt co-coordinator in the same time?
Bruce Law: I think that it’s a common dream for most of the people in this business. After all these years of working in this environment, I have a lot of stories, and ideas that I want to share with the audience. And stunts and action scenes have their own beauty in story telling. It’s a chance for movie makers to make their first steps into the worldwide marketplace.

It is also very hard and frustrating to be both director and stunt co-coordinator at the same time. In addition to all the sections of filmmaking that I’m used to such as stunts and action design, there are things I have to do that I am not so familiar with, such as directing the dramatic parts of the film and that was not as much fun for me! It would have been nice to have an action director to work with who had the same ideas and skills as me, it would have made it easier for me to concentrate on the drama! (Laughing)

A new director needs a lot of support and assistance when making a film. Although the director of a film may be regarded as the captain of the ship, to make a movie work you need a good crew, teamwork is essential. I do have to say that even if each group is working properly, it can’t guarantee a perfect movie every time. But I will say that if one of the groups is not working towards the same aims as the others, then the whole movie is in trouble.

 
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